Country Visualization
Information Design, Spring 2019 This project required researching another country extensively and subsequently designing 30 related infographics for one 3x2' poster, under the guidance of Professor Douglass Scott. In creating this piece, I selected a colour palette and typographic hierarchy linked to Indonesian cultural history; composed a hand-drawn map of the country itself; drew original illustrations; and designed unique & innovative infographics.
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Type Poster
Typography 2, Fall 2018 For this project, I defined 52 typographic terms and implemented them into a visually appealing poster that adheres to a strict, yet natural grid–under the eye of Professor Mark Lawson. I chose "metropolis" as my theme, expanding the meaning of architecture and comparing structures. Each term corresponds to an example within the text on the poster, with the help of highlights and drawn lines. This poster contains several layers of overlaid images, letters, and typographic elements.
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blogfoster GmbH
Branding, Print Design, & Illustration Graphic Designer
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CEBIT!signals
Branding & Marketing Materials for CEBIT!signals Conference (DE), Spring 2018 Graphic Designer |
While working for blogfoster GmbH, I helped create brand standards and design for the first influencer marketing conference ever held in Germany. Blogfoster partnered with CEBIT to invite influencers and brands to connect at Signals, under the umbrella of CEBIT's new Digital Festival in Hannover. I designed the brand book that would dictate design standards for both groups creating materials for the conference. I also created a range of promotional materials to be handed out at the conference itself.
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Invasion
Branding Project, Spring 2019 In my final semester at NEU, I designed the logo and title credits for another student's short film. Her thesis project strongly championed themes of conservation and ecological tragedy, illustrating the disastrous effect of humanity on natural habitats in the Everglades. I emphasized the tension between these two environments by centering the symbol of the flamingo–both representative of the actual animal and its plastic replication within Floridian suburbia–as the heart of the logo.
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